The Killing Ritual, Table of Contents

I’ve decided to post the entire first book of the Fire and Blood series. To help with navigation, I’ll be updating this table of contents with links to the chapters. The chapters in italics either haven’t yet been released, or I haven’t updated the link. Happy reading!

THE KILLING RITUAL
TABLE OF CONTENTS
A Novel By Jessica Colomb:

Prologue

  1. Two Stones | One Black, One White
  2. The Hollow Song
  3. The View to Destiny
  4. Indigestion
  5. Where Eyes Once Were
  6. Prisons
  7. What Ails Them
  8. The Secrets of Manhood
  9. The Cuff of Consequence
  10. The Foretelling of the Bones
  11. Rabbits and Wolves
  12. Salvation and the Man Who Kneels
  13. Hunting Rabbits (or Favorite Son)
  14. Divining Destiny
  15. Mysteries and Stitches
  16. Ways to Dismantle a Rabbit
  17. Wounds that Never Heal
  18. Sightings of Gold
  19. On the Threshold of Knowing
  20. The Cold Face of Knowing
  21. The Witchcraft of Revelations

Part 2

  1. A Father’s Eyes
  2. A Compelled Rebellion
  3. We are Tarska
  4. The Dragon’s Eye
  5. At the Intersection of Realities
  6. The Give and Take of Things
  7. Shimmering Illusions
  8. The Good Son
  9. Keeper of the Answers
  10. A Cold Empty
  11. You People
  12. Tracking Light
  13. A Demon in the Woods
  14. The Danger in Boredom
  15. The Pearl in the Ashes
  16. Birthright
  17. The Hunting Party
  18. A Watcher in the Plains
  19. Gifts Beyond Measure
  20. A Lot Like Death
  21. With One Word
  22. Mother’s Secrets
  23. Casting Off
  24. Jumping into an Abyss
  25. Connections in Blue

poem for gaia

my sea legs
as sure-footed as rocks
crash through the waves
Grit gathers
in my crevices
and my sharp edges become
home to poison-tentacled anemones
to clever octopuses
to pretty little tangles of fishing line

my sea legs
as steady as osmium
sink down
and touch the grooves of her crust
I read her, I hear her song, and the sound of her vibrates through me

we write each other
in the tongue of touch
in the language of compulsion

La Jolla Cove, October 2011
(c) JLColomb

poem for mars

let Us stick to the facts
where things
are as certain as standing
on waves
of sand
entombing
feet
and legs
and torso.
swallowing Us.
surrounding Us.

this is no tomb.
only winter
387 sols long in the tooth. We rattle
with frost quakes; sudden cold
sheltered in place
and frozen
still.
quiet as photographs.

We wait for the wall of sand to drop
out of Our skies
and for sun
to activate Our solar panels
and the radio signals and the end of the night
and this is no tomb.
only winter.

in the meantime
let Us count the objects of exploration:
there are 14 in all. over nine metric tons of experiments crafted
in dream and imagination. hard
ware
stranded.
except 24 terabytes of data escape each day.


in the meantime,
let Us make a map of all the places We may go,
and rocks We may meet
and things We may say
once the sand and the winter subside.

A few stitched together writing prompts from pw.org and this video served as inspiration.

protocols for being human: cookies = love

Meme’s cookies. For every Christmas of my childhood, my grandmother, who we called Meme, would send us a batch of molasses cookies, and they were the very best things.

She decorated each and every one by hand, which even back then were gnarled with arthritis. The Santa cookies had perfect blue eyes and rosy lips. The Christmas trees bore gorgeous bobbles and garland, and the ginger people were dapper in their royal icing garments.

Sure, I liked the decorations and they probably (way back in my subconscious) made the cookies way more delicious, but as a kid I was all about eating them. Pretty much until I made myself sick from ingesting so much molasses and lard and so many egg whites.

Meme has been gone for years. My mom has taken on the mantle of the molasses tradition. She’s even adapted the recipe to be vegetarian-friendly (goodbye lard), and has come up with avant-garde decorating techniques. The new tradition is to decorate them together when we can, and still eat enough in one sitting to make ourselves feel ill.

But the holidays 2020. Covid. Isolation. How do we celebrate at a distance? How do we keep all the feel good family bonding traditions going?

The answer: Together separately.

I am a baby in the time honored molasses cookie tradition. I’ve only made the cookies by myself once before. This was my second time. But I have good teachers, and I’ve eaten by body weight of these cookies, so that makes me an expert, right?

Here’s what I learned:

  • I am not an expert. At all.
  • Roll the dough out evenly.
  • Match cookie sizes and shapes for even baking (i.e. less burning, fewer “crunchy” cookies)
  • Decorating is HARD; like, really hard to do by yourself with no one else there to help you, and without it being a family activity with laughter and drinks and snacks and stories and music going on in the background and showing each other the vulgar gingerbread people we made.

For years, my grandmother meticulously decorated cookies for us. In my own attempt this year, I realized this was a lonely endeavor. I sat at the kitchen table surrounded by different colors of royal icing and knives and bare cookies and little red hot decorations and sprinkles and imagined how my Meme felt. I stacked my trays, and put on some festive music, which in my family is Queen or Abba. I slathered icing on, and none of my Christmas dinosaurs looked half as good as Meme’s most austere star. This required precision and icing that was not nearly as runny as what I had made.

I put myself in my grandmother’s shoes, alone in her house in Vermont, baking sheets upon sheets of cookies to share with all of her grandchildren. Decorating and making them both beautiful and delicious, and picking out the right combination for each household. And doing this for years, which became decades.

I started crying. Not all out bawling, but the kind of quiet almost tears that hurt in your bones.

These cookies were an act of love. Maybe even a fierce act of love. Meme put her time, she put her care and love into working this tough dough, and making delightful mouthfuls of confection. She put her attention into the details of making them as beautiful as she could. And then she gave them all away.

I have a lot to learn about cookies. It turns out I also have a lot to learn about love. I wish I had had the chance to tell my grandmother a real thank you for all those years of love, to let her know that I understand this act of devotion, this mindful present work a little bit better.

Since I can’t do that, I’ll have to do the next best thing.

Make cookies.

PS, I know. They’re hideous. The good news is I have plenty of room to improve.

journaling with a barbell

Make marks, like bruises
across the page, and declare
I am here
as metal bites my hands and transforms
soft
to callous.

It is gratitude,
an act of receiving grace.
It is peace,
an act of releasing limitations.

Sweat falls, wet
on the page, and words
burn in the lungs,
burn through the shadows in
me,
movement
by
movement.

My mind finds silence,
and for a moment,
serenity.

Author’s Note: based on this writing prompt about rituals.

Mind mapping, a tool for the uninspired and lost, such as I have been.

An outsider’s view of Nepal (travel journal, April 2018)

APRIL 10, 2018

This is our last day here. I’m sitting in a temple doorway, watching the flow of people walking through the square. Bells ring. Car horns, scooter engines, and shuffling footsteps join the sound soup. Crow caw, and pigeons coo. 

The less fortunate gather along the walkway below. They sit on the ground and watch people go by as they wait to receive.


Namaste. Where are you going, friend? Where are you from? Hello, money? Money – money – money. Chocolate? Hello? Ride for a good price. Good flute, very good price. Picture? Take picture, 1000 rupees. Welcome. Taxi? You need a taxi? Taxi. One tea, one tea.

Buy ticket. 

Look, look. Good gift for sister-friend, mother-friend. Look. I make by hand, me and my daughter. Look, Nepal, China, Bhutan. Look. Only 100 rupees.


The stains on his skin look like tears. He touches the statues, and then his forehead, and then the stomach of the statue. Down to the right foot. Left foot. The statue base. 

Pick the choicest flower as a talisman, and put it on your head, or stick it in your bag.

Stand still. Face your god, hand held over sternum. Move your lips in the recitation of a prayer, or a chant. An incantation invoking the god, calling to the god. Name the god, and ask him questions. This is a calling, a prayer. 

We stand in the shit and look up to a ruined wonder. We believe, but we don’t act. We pass through like like clouds in the mountains, a constant stream, and all the while we drift according to the will of some other thing. We make victims of ourselves. We sink comfortably into the wretchedness of routine. We embrace the banality of “it’s out of my hands”. We look to someone else. Someone else.

We are amazed when another person performs that thing, which might have been our dream, a fading thing at the edge of memory from when we imagined ourselves to be bold. 

This is the outsider’s view of Nepal. Maybe it’s also the outsider’s view of life, and the state of being human. Maybe we are all swaddled in the dense nest of dreams, always imaging what we can do instead of doing it. 

Flower petals on my head. Rain on my face.


Roof top. Clouds the color of wood ash gather. Wind whips at the rooftops. Clothes flail and lash from the wind, but the birds ride the air currents, circling and settling and circling again.