After the wonders of Ptuj, we decided to spend our last night in Slovenia in Maribor. When we’d been doing research, A— found this place called the Vinag. The name conjured all sorts of associations for me, likely 9% of them uncouth and wrong, but in the end it is a wine cellar. And when we say wine cellar, what we really mean is a sprawling affair, which occupies tunnels carved into the bedrock beneath the city and extending out into the countryside.
We got back to Maribor with time to spare for the very last tour. So we decided to see yet another royal residence while we were waiting.
The Maribor regional museum, much like the Korant Carnival display at the castle in Ptuj, was unexpectedly delightful. Well-curated, it housed artifacts going back past Roman times.
To put the findings into context, they’d created this lovely display, which anchored artifacts in a global context, connecting these treasures with peoples and events of which almost everyone passing through would have at least a passing knowledge. It was the first time I had seen this device, and loved it instantly.
Among the simply adorned pottery and bronze pieces was a life size diorama of were life size dioramas of what dwellings in a settlement would have looked like in ancient times. Able to walk through it, a guest can experience a typical one room dwelling / work space, which would have dominated settlements of the age.
We were the only ones in the museum, and once we transitioned out of the display part of the collection, and into the castle, which was really more of a palace, our constant shadow, a nice cute museum attendant, began giving us a proper tour.
The building had all the trappings of what one might associate with a castle-palace, but two things stood out to me during the experience among the rest: the weapons room and where Hitler had roamed the halls.
I’ve lived in Italy where, all around, remnants, memories, tales and evidence of World War II are abundant. I’ve been to other plazas, and other palaces where mad men strutted and surveyed their newly claimed territory and people. But here was somehow more incongruous. I remember walking through Maribor’s elaborated adorned corridor to a grand central staircase, wide enough to park a school bus. Everywhere gilded ornaments and fixtures glowed, and the walls a soft pink. And war and violence and murder had dwelled here.
Pretty things are, of course, not protected from such ugliness. Wealth, appearance and prestige ultimately don’t bear any special cloaks or mantles. No special dispensations. They are just as vulnerable as everything else.
So it shouldn’t been such an uncomfortable juxtaposition, but it still made me pause and reflect in a space that, despite the craftsmanship and opulence, I would have not thought about twice.
ASIDE: such spaces make me uncomfortable. My utilitarian heart has a hard time with egregious displays of wealth and power. I often wonder at what cost this grandeur comes. It highlights the layers of economic hierarchy and lays value on the owners and occupants of rich beautiful and expensive places over the dwellings in which the majority reside, and everything in between and the outliers. But this is one telling. Life, I know, is more complicated than that.
We were spat out back where we began. We had just enough time to get back to the starting point for Vinag, which would continue, at one barricaded door in the tangle of tunnels, the tale of WWII.
Author’s note: Apologies for the lack of photographs. I obsessed over the pottery, then explored the rest of the museum feeling too awkward to take photos. With the attendant constantly watching us, I also had this feeling that maybe it was disrespectful in that moment.